In the painting of the San Pablo Reservoir (below), it was early afternoon, but the sun was already very low because it's winter in North America, creating some really nice contrast naturally. I always look for naturally occurring color and/or value contrast.
The underpainting was roughed in with thinned Cad Yellow and Prussian Blue. Working from light to dark, I added dark green. I mix my own greens, with Cad Yellow, Prussian Blue and Sepia. I added little red accents to the foliage in the lower left to break up the strict green/blue palette. Lastly I painted back in the shadow areas with Permanent Red and Sky Blue gouache (light over dark). Then I painted the bark detail on the light side of the tree with thinned white gouache (light over dark).
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